FILMO
- Andermann, Jens; Lisa Blackmore, and Dayron Carrillo Morell, Natura: Environmental Aesthetics After Landscape (Diaphanes, 2018).
- Appadurai, Arjun, “Here and Now” and “Disjuncture and Difference,” in Modernity at Large: Cultural Dimensions of Globalization (Minneapolis: University of Minnesota Press, 1996), pp. 1–26 and 27–47.
- Escobar, Arturo, Designs for the Pluriverse. Radical Interdependence, Autonomy, and the Making of Worlds (Duke University Press, 2018)
- Fornoff, Carolyn, "Extractivism". Handbook of Latin American Environmental Aesthetics, edited by Jens Andermann, Gabriel Giorgi and Victoria Saramago (De Gruyter, 2023): 45-66.
- Gómez-Barris, Macarena, The Extractive Zone: Social Ecologies and Decolonial Perspectives (Duke University Press, 2017).
- Lowenhaupt Tsing, Anna, Heather Anne Swanson, Elaine Gan, and Nils Bubandt, eds. Arts of Living on a Damaged Planet: Ghosts and Monsters of the Anthropocene (University of Minnesota Press, 2017).
- Pierce, Jessica, and Marc Bekoff, A Dog’s World: Imagining the Lives of Dogs in a World Without Humans (University of Chicago Press, 2021).
- Riofrancos, Thea, Extraction: The Frontiers of Green Capitalism (ICON, 2025).
- Schuppli, Susan, MATERIAL WITNESS: Media, Forensics, Evidence (MIT Press, 2020).
- Vasudevan, Pävithra, and William A. Kearney. “Remembering Kearneytown: Race, Place and Collective Memory in Collaborative Filmmaking,.” Area 48, no. 4 (2016): 455–62..
- Salomé Lopes Coelho is a researcher in film and art studies, working at the intersections of cinema, aesthetics, and the environmental humanities. She is a Postdoctoral Researcher on the ERC project EcoViolence at Utrecht University. Her research focuses on the ecologies of extractive violence and their figurations in contemporary cinema, examining how collaborative and experimental documentaries, alongside environmental film festivals, construct the memory of extraction as violence, distribute responsibility, and make visible entanglements with colonial histories. Salomé holds a PhD in Artistic Studies from NOVA University Lisbon (2021) and was a postdoctoral fellow at the NOVA Institute of Communication (2022–2025), where she researched the rhythms of vegetal and inorganic materialities in contemporary Latin American experimental cinema, with a focus on women filmmakers and artists, drawing on environmental aesthetics and feminist posthumanist philosophies. She was a Visiting Assistant Professor in the Department of Communication Sciences at the same university (2025) and has taught courses on cinema and philosophy at the National University of Arts in Buenos Aires (2018, 2021), where she was also a visiting researcher (2016). She is a member of the Eco- and Bioart Lab at Linköping University in Sweden and serves on the editorial board of La Furia Umana–Journal of History and Theory of Cinema. Beyond academia, Salomé has contributed to film curation, cultural programming, and interdisciplinary events with artists and filmmakers, and occasionally engages in filmmaking experiments that open dialogue with her research.
- Ana Robles Pérez is a researcher and visual-documentary designer based in Rotterdam, working at the intersection of art-design, education, and the cultural sector. Driven by a strong curiosity for imaginative and socially engaged approaches, her work delves into memory studies, more-than-human perspectives, and speculative storytelling. She is currently involved in design, research, and educational projects together with Marina Otero Verzier and the Royal Academy of Art in The Hague (KABK). During the last years, she has collaborated with various collectives and institutions, including TBA21 – Thyssen-Bornemisza Art Contemporary (ES), Venice Biennale of Architecture (IT), the Dutch Watersnoodmuseum (NL), La Casa de la Arquitectura (ES) Triennale Milano (IT), ARQVA – the Spanish National Museum of Underwater Archaeology (ES), MAYRIT Bienniale of Design and Architecture of Madrid (ES), COAM – the Official College of Architects of Madrid (ES), Willem de Kooning Academie (NL), CentroCentro (ES), Complutense University of Madrid (ES) and Design Academy Eindhoven (NL), among others. She holds an MA in Social Design from the Design Academy Eindhoven (2023), as well as a Bachelor's degree in Design Methodologies and Communication from the Complutense University of Madrid and the Hochschule für Gestaltung Schwäbisch Gmünd (2020).
https://anarroblesperez.com/